I live and breath Miskatonic University. I wave this against my current towns university to show them who's boss.
Waow! As usual with HPLHS products: qualité and immersive. All we want for Call of Cthulhu roleplaying party!
Thanks a lot and great job
For a European like me an item like this pennant is the quintescence of the US varsity traditions and culture.
It helps make fiction credible simply by hanging it on the wall !
Sorry I have no comparison with other pennants as it's not common here. But it's a beautiful piece of felt work for a very reasonable price.
It's a little smaller than expected, but lovely quality. I love it!
Shipping to the UK is much, much quicker now.
This pennant is a fantastic way to show fidelity to good ol' M.U. It's got a great, period feel and goes with any type of classic pennants you may have. The printing is sharp and it's a truly solid piece of craftsmanship. All in all a great (and subtle) addition to any Lovecraft fan's collection.
I was a bit daunted at first by the thought of all those possibilities, but this turned out to be soooo much fun! And any production where there's singing* from Andrew and Sean (and that lovely actress, I can't think of her name) gets quadruple bonus points from me! I hope there's more like it in the future, at least song-wise. That might just be my music major bias though, lol.
Thanks everyone who put their heart and soul into this thing!
[*I mean I assume Sean and the lady sing, but I've only played through the Wawatseka timeline once so far. So much to do!!!]
Incredible props made in loving detail, one could think they are the real thing. Also the packaging looking like boxes from various museums getting dusty in forgotten shelves labeled by their archeological discoverer or museum curator… you guys are the best!
Incredible props made in loving detail, one could think they are the real thing. Also the packaging looking like boxes from various museums getting dusty in forgotten shelves labeled by their archeological discoverer or museum curator… you guys are the best!
“The Venus of Ille” seems a curious tale to rework into a DART production, as while mentioned twice in-passing in Lovecraft’s “Supernatural Horror in Literature” discussion, it’s not especially highlighted there with other notes. Perhaps it was a little too earthy for Lovecraft’s taste. It certainly comes across that way in this adaptation, true to the original, albeit not in an overtly offensive manner. As usual, the DART team brings the whole to life (appropriately!) in excellent style, perhaps with nods to Tim Burton’s animated movie “The Corpse Bride” in a few elements (including the characterisation of the bridegroom’s mother), if elements hard to disentangle from the various earlier tropes involved, including the central statue-comes-to-life motif from long before Prosper Mérimée’s story was penned. The accompanying props add to the experience nicely. Semi-pictorial postcard maps like that of Wight can be bought still at seaside towns across the UK, and the illustrations of Brading Villa’s Roman mosaics, including fish-tailed humans, opens-up archaeological vistas stretching back to early second millennium BCE Babylonia, should the HPLHS feel inclined to dig deeper. It’s not just the tennis that’s real here! While not strongly Lovecraftian, this remains a real treat for fans of 1930s-style radio shows in the DART mould.
A cleverly-devised pulp adventure created by the HPLHS, based on a chance remark in a Lovecraft letter, combined with a relatively obscure site in the Libyan Desert just west of the great Qattara Depression in western modern Egypt, the Siwa Oasis. The place was rather less obscure in ancient times (the Romans knew it as Ammonium), and a route across the northern desert still passes through it that originated far earlier. The props with the physical DART production define Siwa well, and the leading character of Count De Prorok, a fictionalised, genuine explorer and treasure-hunter. The large, beautifully-drawn, map of Siwa, reproduced from a 1929 original, is a particular delight. While the tale starts a little slowly, that allows it to build nicely in stages of discovery to the final climax, providing much useful atmosphere concerning the dangers of desert travel and the political realities in the region during the later 1920s and 1930s. Parts of the latter stages of the action become a little confused, and bear repeated, careful listening to straighten out more - although perhaps it’s better not to peer too closely at sanity-threatening Things Lovecraftian! All-in-all, a fine addition to the DART repertoire.